Sublimely
wrapped
In golden
tones of Graceful song
Filled
cathedral space
Yet nestled
soft as down
Is Christ‑joy
this knowing?
Is Spirit‑hope
this near?
Does that
which is far beyond
Find its way
to these light‑dappled chambers
Of personal
cloistered space
When angelic
sounds
Soar high
and low?
Blessed
music!
Charioteer
that swoops low
Endewing
faith’s mysteries
Deep into the heart’s corners.
Grace is stirred up, imprinted deep
And the soul’s window
Grace is stirred up, imprinted deep
And the soul’s window
Set ajar to
catch the
Echo of
Spirited‑song
And things
deeper than
Engraver’s
page of dots and lines.
Lord,
continue to fire the singing messengers
Who possess
wisdom and skill,
Rejoicing as
image‑bearers of the
Full
Breathed One
As they
breathe life into
Words and
melodies,
Golden‑aged
like finest wine
Or
unseasoned yet flavorful
Like daily
bread
Baked fresh
from harvest's finest
grain.
Heavenly
Singing Flame!
Chanting troubadors
of clay!
Listening
gallery of saints and angels!
Music alive
and faith‑infused!
Thanks be to
God!
© 2007, Nancy Gerst
"Be still and know that I am God" comes from Psalm 46, one of the Psalms that was written for the temple musicians in the time of the Old Testament, "a song for the songs of Korah." The sons of Korah were the rather large guild of musicians in the Jewish temple, a dynasty of musicians born into family lines, begun in the times of King David. It is both fascinating and humbling to read about these musicians who served during times of plenty, peace, incredibly rich worship services, and on through intrigues, betrayals, war, exile, and more.
Who are the musicians that have followed in the line of the sons of Korah after the time of Christ and into the beginnings of the Christian church? A 3rd century martyr, St. Cecilia, is interesting to read about because of the musical legacy that followed her martyrdom. While her martyrdom is likely a true story, the legends surrounding her and her musical interests are perhaps not totally verifiable in ancient records. That doesn't diminish the fact that whatever her passion for music in the worship of God, it was at least significant enough that legends were spun about it after her death.
Following are some of the plethora of classical artworks featuring St. Cecilia, who has become the patron saint of church musicians, along with several paintings of angel musicians. Note that in some, both the human and angelic are worshiping as one.
For discussion: If artists depicted church musicians of today in works of arts, what might these look like? Why was music making in worship a common subject of artwork in former days, but not so much (hardly at all?) in our own day? I like to visualize in my heart sometimes during worship the invisible choirs of angel musicians who are adding their voices and instruments to our own God-ward praise. Someday our eyes will be opened around the throne of God where we will see the heavenly choir of saints and angels. What a glorious day that will be!
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